Ranathunga, GM

dc.contributor.advisor
dc.contributor.author	Ranathunga, GM
dc.date.accessioned	2018-11-07T23:30:44Z
dc.date.available	2018-11-07T23:30:44Z
dc.identifier.issn	2319-3948	en_US
dc.identifier.uri	http://dl.lib.mrt.ac.lk/handle/123/13660
dc.description.abstract	Couture is simply the French word for fine, custom dress design, made to measure for a particular customer (Frings, 2002, 174p). Haute Couture (the most exclusive couture) is reserved for the best design and highest quality of fabric and workmanship. Couture is considered as the flagship of fashion marketing in the world. Consumers of such couture are from the wealthy elite class of society. Therefore couture is regarded as offering the opportunity for the purest form of creativity in Fashion providing the research and development for fashion industry (Frings, 2002,174,175 p). Apparel industry of Sri Lanka makes a massive contribution to her economy. As the industry is largely compromised of ready-made garment productions, Haute Couture, the essential component deserves a careful and comprehensive study in the context of Sri Lanka. Derived philosophies could be wielded in modern perspective.	en_US
dc.language.iso	en	en_US
dc.subject	Costume as an Emblem of Dignity	en_US
dc.subject	Kandyan Kingdom of Sri Lanka	en_US
dc.subject	Costume of the Elite Male	en_US
dc.subject	Haute Couture	en_US
dc.subject	Hybrid Formation of Foreign Influences	en_US
dc.type	Article-Abstract	en_US
dc.identifier.year	2016	en_US
dc.identifier.journal	International Journal of Humanities and Social Sciences	en_US
dc.identifier.issue	5	en_US
dc.identifier.volume	Vol. 5, Issue 5, Aug	en_US
dcterms.title	a qualitative approach to analyse the concept of ‘haute couture’ fashion of elite male of the kandyan era of sri lanka