The Sri Lankan rural vernacular: an examination of the changing pattern of houses with special reference to Matale District

Abstract

Vernacular can be termed as native or indigenous form of activities, such as Art, Architecture, Music or language of a nation. The house form of Veddha community of Sri Lanka, their language and songs too could be termed vernacular. Similarly, the temples, places and houses built during early periods. A nation who does not possess traditions could be considered a nation without its roots, Hence, the true identity of a nation could be well judged from its vernacular traditions an buildings. The vernacular in all arts has always been a source of inspiration for everyone, and it helps to die on to it sroots. The 'self sustained' products are not a significant way of satisfying peoples wishes.There should be a basic foundation or a basic knowledge to produce a quantitative product. From the past 'vernacular has been involved in producing successive out-puts. Therefore it is important to retain it in any art form including architecture. Unique characteristics of vernacular architecture assign it an important role in built environment of any human settlement/dwelling. Vernacular is not copying what is there, it is understanding the past. Vernacular cannot be faked. It is a reaction to something. Therefore vernacular architecture has an important role to play in built environment of any human settlement. One has to accept the fact that vernacular art form, be it music, dance or architecture will invariable undergo changes with time, because of external influences. An example to this effect can seen from the ancient architectural masterpieces seen at Polonnaruwa, which was influenced by South Indian architectural forms. But of late it is being distorted by external forces who does not give a thought to their traditions, be it architecture, music or dance forms. Thus there is a great danger looming over the source of reference of our roots which may be lost eventually.