Designing with vernacular intelligence: embedding cultural narratives into the digital world

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Integrated Design Research, University of Moratuwa

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Vernacular communication systems in India have long functioned as intuitive and inclusive design practices, using simple visual imagery and locally resonant symbols to bridge the divides of language, literacy, and class. The textile industry, matchbox labels, cinema posters, political icons, and street art exemplify how everyday communication relied on cultural familiarity and visual immediacy. However, in the digital era, such vernacular presence has become increasingly absent. Web applications and online platforms often prioritize standardized and neutral design languages, resulting in interfaces that lack cultural specificity. While minimalism and modernist aesthetics offer clarity, they also dilute the inclusive richness of vernacular expression. This paper situates Indian vernacular communication as a critical model of creative intelligence. Rooted in intuition, insight, and innovation, the paper engages with the concept of Critical Regionalism to argue for the reintroduction of vernacular presence into digital environments. The paper also explores how its lessons can inform digital design futures, by tracing the continuity from analogue vernacular systems, such as the matchboxes, folk art, symbolic icons, etc. to imperative digital practices, thereby imbibing the “vernacular-ness” among the masses and shaping their digital design attitudes. The study highlights the need to reinsert vernacular presence into digital environments to create more accessible, inclusive, and culturally meaningful design.

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